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TCM's evening of Fleischer Family films - November 13!

11/10/2016

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When: November 13, 2016
Where: TCM
8pm EST - 7pm CST - 6pm MST- 5pm PST
​
​Check your local listings
or the TMC website
​for more information: 

That's right! On Sunday, November 13, TCM is dedicating an entire evening of entertainment to the work of Max, Dave and Richard Fleischer and it's all co-hosted by Mark Fleischer, Max's grandson and the CEO of Fleischer Studios.

This amazing evening begins with two Fleischer Studios classics: Popeye the Sailor Meets Sinbad the Sailor (1936) and Popeye the Sailor Meets Ali Baba's Forty Thieves (1937). Together, these films represent two of only three "two-reeler" or long-form color films the Fleischers made featuring Popeye.

If you're interested in learning more about the creation of these very special films, take a look at 
Magic in Miami in our online museum. The exhibit features a 1938 episode of Popular Science that details the process of animation during this period, and even features the making of one of these amazing long format films.
The TMC evening continues with two films directed by Max's son, the acclaimed film director Richard Fleischer: the noir classic The Narrow Margin (1952) followed by the sci-fi thriller Soylent Green (1973) starring Charlton Heston. Thanks to animation historian Ray Pointer for helping to make this wonderful event into a reality. Ray's upcoming book The Art and Invention of Max Fleischer: An American Animation Pioneer is due to be released in December of this year.

From start to finish that's more than 4 hours of Fleischer films, covering 35 years of film making, and featuring 3 generations of the Fleischer family. You don't want to miss this!
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Watch "Is My Palm Red" now in our Theater

2/27/2015

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With Bimbo playing a fortune-teller (and KoKo the Clown as his assistant), this 1933 cartoon is all about Betty seeing into her past -- and her future. 

Rife with sexual innuendo and classic Fleischer gags, Is My Palm Red also features a very naked Baby Betty Boop, an island inhabited by lustful ghosts and even a licentious ocean wave that can’t resist giving Betty a love-pat.
Click here to watch Is My Palm Read and find out what Betty Boop does in this cartoon... that she does none other! 
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Finding His Voice: explaining the magic of sound in movies

11/10/2014

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Here’s an odd bit of film history! When sound first came to film, it was such a novelty that some companies believed the audience needed an explanation about how the magic happened. Western Electric was one of those companies.  

For about a year in 1928-29, Max Fleischer's animation studio was housed in the Carpenter-Goldman Film Laboratories in Long Island City, NY. Max and Frank Goldman teamed up to create Finding His Voice, an educational film for Western Electric, that explained how a film could ‘talk.’  

In an interview fifty years later for Cinegram Magazine, Frank Goldman looked back at the making of Finding His Voice:

“Western Electric developed a new sound system that was sound on a record. They had a deal with Warner Brothers for The Jazz Singer (1927). Shortly after that Western Electric produced sound on film and all the theaters were desperate to obtain sound equipment. To get it they had to agree to run a film explaining the process the week before they started the regular run. This was a single reel Max Fleischer and I made. I got the contract and Max and I worked together on it. The film was to explain to the public how film got its voice. We showed a little roll of film- a character with sprocket holes, legs and what not. He’s sent into a Dr. Western who examines him and looks in his mouth. No cords, he can’t talk. The doctor takes his pulse. I’ll never forget. Fleischer put in a little jumping pulse as a sight gag. The doctor puts his finger on it and it moves away. He puts his finger on it again and it jumps back. Then he takes the character into a sound studio where he sings “Just a Song at Twilight” into a microphone. We showed how the sound waves went into the mike and were carried along the wires to the sound track stripe. It was simplified and the audience caught on right away.” Kirkpatrick, Diane. "Animation Gold." Cinegram Magazine 1978: 30. Print.  Reprinted by permission of Diane Kirkpatrick.
Luckily, the film has survived the ages.  Check it out in our Theater!

For more on the Carpenter-Goldman Film Laboratories - and how the Fleischers came to be in the same space - see the previous blog post. It's a story you won't want to miss!

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Happy Halloween!

10/31/2014

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Don't miss Cartoon Factory - newly posted in the Fleischer Studios Theater for Halloween. This 1924 classic features some wonderful treats and, of course, some tricks. To watch it, click here now... and enjoy!
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