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Superman leaps onto the big screen in Oakland April 7th

3/29/2018

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Fans in Northern California, don't miss The New Parkway Theater's "first ever" Animation Week starting on April 6th. This weeklong festival will feature a screening of Fleischer films from the 1940's Superman series on Saturday, April 7th at 2:55 PM. 

The films featured in the screening include: Superman (aka The Mad Scientist), The Mechanical Monsters, Billion Dollar Limited, The Arctic Giant, The Bulleteers, The Magnetic Telescope, Electric Earthquake, Volcano and Terror on the Midway. 

This is a great opportunity to see these spectacular films as they were intended to be viewed, on the big screen!

More information on The New Parkway Theater site.

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TCM's evening of Fleischer Family films - November 13!

11/10/2016

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When: November 13, 2016
Where: TCM
8pm EST - 7pm CST - 6pm MST- 5pm PST
​
​Check your local listings
or the TMC website
​for more information: 

That's right! On Sunday, November 13, TCM is dedicating an entire evening of entertainment to the work of Max, Dave and Richard Fleischer and it's all co-hosted by Mark Fleischer, Max's grandson and the CEO of Fleischer Studios.

This amazing evening begins with two Fleischer Studios classics: Popeye the Sailor Meets Sinbad the Sailor (1936) and Popeye the Sailor Meets Ali Baba's Forty Thieves (1937). Together, these films represent two of only three "two-reeler" or long-form color films the Fleischers made featuring Popeye.

If you're interested in learning more about the creation of these very special films, take a look at 
Magic in Miami in our online museum. The exhibit features a 1938 episode of Popular Science that details the process of animation during this period, and even features the making of one of these amazing long format films.
The TMC evening continues with two films directed by Max's son, the acclaimed film director Richard Fleischer: the noir classic The Narrow Margin (1952) followed by the sci-fi thriller Soylent Green (1973) starring Charlton Heston. Thanks to animation historian Ray Pointer for helping to make this wonderful event into a reality. Ray's upcoming book The Art and Invention of Max Fleischer: An American Animation Pioneer is due to be released in December of this year.

From start to finish that's more than 4 hours of Fleischer films, covering 35 years of film making, and featuring 3 generations of the Fleischer family. You don't want to miss this!
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It's All Relative(s)! - a young journalist writes about animation history and discovers she is a part of the story!

11/3/2014

 
In the Small World Department, Fleischer Studios’ historian Ginny Mahoney was recently contacted by high school sophomore Louisa Goldman. A budding young journalist, Louisa was working on an article about Lucas Gray, an animator living in Santa Monica, who was heavily influenced by the work of early pioneering animators, including Max Fleischer and Fleischer Studios.

Ginny and Louisa had a lovely long conversation about Max and the history of Fleischer Studios, and Louisa wrote up her article. It wasn’t until her family read the article that Louisa found out she was not only writing about Fleischer Studios, she was related to it!  And in some very important and foundational ways.

As it turns out, Louisa is related to Roger Goldman, who’s related to Frank Goldman. Frank Goldman is credited with making a huge difference in the survival of Max and Dave's fledgling animation business back in the 1920s. Here’s an excerpt from Out of the Inkwell, Richard Fleischer’s biography about his father, Max Fleischer:
"To cut a long and depressing story short, Max and Dave found it impossible to work for Weiss and quit the company. Shortly after they resigned, Weiss declared bankruptcy and disappeared. 

 "Max and Dave were well and truly in deep trouble. They had barely enough money to hire one or two animators but not enough to rent studio space. Things were what can best be described as bleak— until, one night, my father came home looking somehow strange. I suppose I’d never before seen him with an expression of shock on his face. He came into the kitchen and said to my mother: “Essie, sit down. I’ve got something to tell you.” She sat down, looking puzzled and a little scared. My father seemed to be fighting back some inner emotion. Then, quietly, he told her the news. A dear friend of his, Frank Goldman, one of the owners of Carpenter-Goldman, a film- processing laboratory based in Long Island City, had heard of the fix Max was in and had offered him space in his company’s quarters for free— and for as long as he wanted it. 

"My mother sat there dumbfounded for a moment, then slowly put her hands to her mouth and started to cry. My father stood there, his lower lip trembling, his eyes blinking as they filled with tears. She got up and embraced him. He was now laughing and crying at the same time, and so was she. It was a tableau that has never faded from my mind. I was thirteen at the time and old enough to recognize that my father’s reaction was not simply one of relief but one of being tremendously touched by the friendship of Frank Goldman."  
And if that’s not enough, it appears Louisa is also related to J.F. Leventhal.  Mr. Leventhal was a very early partner of Max’s and together they created the very first military training films – for WWI.

So, relatively speaking, this was a fabulous connection for both Louisa – and Fleischer Studios!

You can read Louisa’s article, Behind the scenes of Jewish Animation, here.
Richard Fleischer's Out of the Inkwell is available here.
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Photo of Fleischer Studios staff, taken outside Goldman-Carpenter Labs, Long Island City, where the studio was located for about a year in 1929. Front row l. to r.: possibly Sid Wallick, Edith Vernick, George Cannata, Seymour Kneitel, Max Fleischer, Charles Shettler, Sid Marcus. Al Eugster behind Vernick (with hat and cigar). Behind Cannata and S. Kneitel is Abner Kneitel. Wearing a white hat (on left) is Rudy Zamora. In distance behind Seymour is Joe Fleischer (wearing suspenders), William Henning is man with his hand on the window. 1929.

Happy Halloween!

10/31/2014

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Don't miss Cartoon Factory - newly posted in the Fleischer Studios Theater for Halloween. This 1924 classic features some wonderful treats and, of course, some tricks. To watch it, click here now... and enjoy!
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The Story Behind the Story of Gulliver's Travels

10/20/2014

 
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Lobby card for Gulliver's Travels
Check out this amazing new exhibit in our Museum celebrating the 75th anniversary of the Fleischer classic Gulliver's Travels. 

Learn the dramatic story behind the making of this animation classic, which spanned more than 1,200 miles, involved the work of 678 artists who created 665,280 drawings using 16 tons of paper, 49,000 pencils and 12 tons of paint on a half million cells; and all while struggling to meet a seemingly impossible deadline. 
PLUS check out pages from the original script, some of the animator's own artistic commentary on their experience with this massive under-taking and find out why, even if you think you've seen Gulliver's Travels... you may not have seen it in it's entirety. Click here now for more!

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